The Girl on the Train
Paula Hawkins

The Girl on the Train

supplementals

10 highlights

I have never understood how people can blithely disregard the damage they do by following their hearts. Who was it said that following your heart is a good thing? It is pure egotism, a selfishness to conquer all.

Hollowness: that I understand. I’m starting to believe that there isn’t anything you can do to fix it. That’s what I’ve taken from the therapy sessions: the holes in your life are permanent. You have to grow around them, like tree roots around concrete; you mould yourself through the gaps.

I don’t know. I don’t know where that strength went, I don’t remember losing it. I think that over time it got chipped away, bit by bit, by life, by the living of it.

Drunk Rachel sees no consequences, she is either excessively expansive and optimistic or wrapped up in hate. She has no past, no future. She exists purely in the moment.

How much better life must have been for jealous drunks before emails and texts and mobile phones, before all this electronica and the traces it leaves.

On the way back down the road, he passes me in his car, our eyes meet for just a second and he smiles at me.

I am not the girl I used to be. I am no longer desirable, I’m off-putting in some way. It’s not just that I’ve put on weight, or that my face is puffy from the drinking and the lack of sleep; it’s as if people can see the damage written all over me, can see it in my face, the way I hold myself, the way I move.

He never understood that it’s possible to miss what you’ve never had, to mourn for it.

I have lost control over everything, even the places in my head.

Life is not a paragraph, and death is no parenthesis.